Bryan Tan
words in progress

Poetry


Bryan Tan | Concentric

Concentric

  • You dream, across the bridges, silent;
  • of your eyes they draw circles
  • as they tread upon the folds of your mind
  • they dream, too; of you
  • as they sleep upon the outline of your heart
Bryan Tan | 節日

節日

  • 當代的你,曾是土壤的延伸
  • 你在日與月之間蝕盡了年歲
  • 在水深處將它幻化成山與林
  • 而朝霧離去時你輕輕揮別了
  • 所有豢養著你的故事與言語
  • 割捨花瓣的辰露,當代的你
Bryan Tan | A to Z

A to Z

  • If I had a letter for every year
  • I could spell ‘azure’:
  • A colour of a coast
  • that draws desires upon its warm waters
  • And calls forth ships and souls,
  • and lighthouses and moons, new and full
  • A colour, all but perfectly clear
  • at the furthest reaches of its embrace
  • And indistinguishable
  • from the sky at the line beyond the eyes
  • A colour transcending name and form,
  • beyond letters and words, cadences and tides
  • I could spell it, a radiant desert
  • at home against a land it made beautiful
  • devoured in the instant,
  • belonging to millennia
  • I could spell it, and that would be all I could do
  • and that would be enough
Bryan Tan | Offshore

Offshore

  • Endless is—2.9 miles
  • the distance from the eye to the horizon
  • and all the sights one will ever see

  • Endless is—a year, or three, or seven
  • the duration between decisions
  • and a lifetime of mistakes yet made

  • Endless, too, is yesterday, or tomorrow
  • the time of memories, the time of possibilities
  • and the moments that are not today

  • And endless, endless is offshore
  • the place beyond the oceans
  • where storms rage and suns shine
  • where the world lies, and where stories are untold
Bryan Tan | Hours, give or take

Hours, give or take

4AM, and your eyes open, with the lucidity of one who has regained sight after a decade in darkness, to the muted room you fell asleep in some inadequate number of hours ago. The city is in a silver silence, save for the wind blowing over slicked asphalt roads and a heartbeat you named your own. You see, in visions of fireworks, as the one who moulded this diorama, and you command the multitudes, captivated by the shackles of slumber you have cast off. Here in the quiet you lord over all thoughts, all desires, and you expel them, leaving only a canvas of white that shall fade into colours as the day rises; still, you layer the primer and the paint, over and over, wordless, awake.

Sometime in the early afternoon, you sleep with a carnal ferocity, with a lust after the contours of those five minute dreams, vivid and ephemeral and gone before you can forget them, those dreams that you wished to have lasted longer and by which you come to despise the second, and third, and fourth notes of the song you had repeatedly and naïvely hoped would bring you gentle into the waking world, but instead plunge you deeper into irrational depths and immobile ecstasies of new moments thought to be old and old moments thought to be new and a numbing disorientation/disorienting numbness oppressive and vague and blue/green and calling you to believe in the reality of it all—or nothing at all.

You’ve just made it to your desk, but have somehow spent all the effort required in a day of work just to put down your backpack, with no results (or even attempts) to show for it. So you head for the espresso machine, pull two shots, pretend like you are capable of latte art, and stare into an amateur Rorschach test haphazardly administered and invoking nothing but anger and a dull and ambiguous gastric discomfort telling you you’ve had both too much and too little. It heeds you to find answers; you walk back to your spot and sit down, sipping away at the asymmetries, and put each thing in front of you into its place. And then you get up, to go make your second cup of coffee.

It’s a bit past midnight, and your consciousness wavers somewhere between ‘pretty awake’ and ‘could go to bed in an hour or so’. You are assaulted by everything and nothing indiscriminately: Tlön and labyrinths, Kafka and Proteus, the ticking of the clock you thought you took the battery out of and the rising sun six thousand miles away. In some perverse, masochistic manner, I suppose you enjoy it, when the hours come and go, wild and effortless. It’s sacrilegious, a sin, you tell me, that the minutes are unaccounted for, but you are glad to be free, because there is nothing that makes you feel more alive, and that you enjoy journey and destination equally. I nod. It’s 4AM again.

Bryan Tan | A photo booth of four days

A photo booth of four days

  • It’s a new season, but I’ve been gone for as many weeks,
  • in as many months, as years since the last. A coincidence, to be sure
  • (though I did fudge the numbers a little). They say it’s inauspicious—
  • I suppose they too have never seen the stone among stones,
  • and so heard the wrong tones, unfurled the wrong tongues.
  • Such are the languages we speak: interchangeable, wrong, sufficient;
  • still yet I listen, proud, indifferent, as though I may understand.